Preservation in Perspective
How can we preserve written materials for future generations?
Eine virtuelle Ausstellung von
Preservation in Ten Objects
Much of the basis of knowledge, culture and history lies in written documents. Their materiality puts these objects at risk: water, dirt, mould, pests and chemical deterioration processes consume their physical substances. Archives, libraries and their affiliated institutions hold responsibility for safeguarding written cultural heritage and preserving it for the long term. This responsibility can only be met collectively, across the boundaries of Germany’s 16 Länder and those between professional disciplines alike.
The Coordination Office for the Preservation of Written Cultural Heritage (KEK) was founded in 2011 to support this cooperation. It promotes the preservation of archives and collections, systematically gathers data and raises awareness of preservation’s importance outside specialist circles. Over the past decade, a broad range of written documents have been safeguarded thanks to two funding programmes, the KEK’s pilot project funding programme and the Federal Government Commissioner for Culture and the Media’s Special Programme. We are showcasing ten objects here that exemplify the many facets of preservation work at archives, libraries and museums.
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Wax tablet of Halle brine spring
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Rechteinformation
© Thomas Ziegler
Beschreibung
Angaben zum Objekt
Typ
File, land register, wax tablet
Abmessung/Umfang
20 cm x 41 cm x 15 cm
Material/Technik
Wax, wood, leather
Beteiligte, Orts- und Zeitangaben
Zeit
1656
Ort
Halle
Today, we tend to associate wax with candles or cosmetics. In Europe, however, it was still used as a medium for writing as late as the Middle Ages and the Early Modern period. In salt-producing regions, important records were kept on wax, which withstood the salty air around the production sites particularly well.
The Halle City Archives hold several books of wax tablets bearing ownership records and feudal legal arrangements related to the four brine springs at Hallmarkt square. The books look their age, with many scratches, deposits, and cracks as a result of dehydration. Some of the tablets have slipped out of their frames entirely.
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Wax tablet of Halle brine spring
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© Thomas Ziegler
Beschreibung
Angaben zum Objekt
Typ
File, land register, wax tablet
Abmessung/Umfang
20 cm x 41 cm x 15 cm
Material/Technik
Wax, wood, leather
Beteiligte, Orts- und Zeitangaben
Zeit
1656
Ort
Halle
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Wax tablet of Halle brine spring
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© Thomas Ziegler
Beschreibung
Angaben zum Objekt
Typ
File, land register, wax tablet
Abmessung/Umfang
20 cm x 41 cm x 15 cm
Material/Technik
Wax, wood, leather
Beteiligte, Orts- und Zeitangaben
Zeit
1656
Ort
Halle
In 2012, one of these wax tablet books was restored using new methods in a KEK pilot project. The distinct difficulties stemmed from the writing surface, which is very unusual today, and the object’s form, which is even rarer among surviving books from the past. A precisely tailored, innovative method was developed that included "welding" broken edges and injecting new wax beneath the surface of cracking tablets.
The restored wax tablet book reveals how many members of Halle’s middle classes, such as the influential Oleariuses, a family of Protestant theologians, benefited financially from salt production during the period of the book’s creation. Towns such as Lüneburg and Schwäbisch-Hall likewise owed their prosperity to salt production.
Wax tablets did have an inherent disadvantage, however. They were easy to manipulate, which made it necessary to maintain three copies of each of the books. The annual procedure of comparing the copies, resolving old entries, and adding new ones – "keeping the loan book", as this was called in a 1793 description and history of the Halle Saltworks – was accompanied by festivities.
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Cover of wax tablet of Halle bring spring
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© Thomas Ziegler
Beschreibung
Angaben zum Objekt
Typ
File, land register, wax tablet
Abmessung/Umfang
20 cm x 41 cm x 15 cm
Material/Technik
Wax, wood, leather
Beteiligte, Orts- und Zeitangaben
Zeit
1656
Ort
Halle
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Papier-mâché model of horse in original size
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© Martin-Luther Universität Halle-Wittenberg, Markus Scholz
Beschreibung
The model has a 1:1 scale in natural size. It was permanently mounted on a pedestal plate with brass rollers due to its enormous weight. The model can be disassembled into 150 individual parts.
Angaben zum Objekt
Typ
Educational object
Abmessung/Umfang
Withers height 130 cm, length 190 cm
Material/Technik
papier mâché, wood
Sprache
French
Beteiligte, Orts- und Zeitangaben
Beteiligte Personen und Organisationen
Louis Thomas Jérôme Auzoux (1797-1880)
Zeit
before 1874
Ort
France
Some written materials come in bizarre forms. This papier-mâché anatomical horse model can be dismantled into more than 150 pieces and weighs more than 200 kilogrammes (440 pounds). Small paper labels identifying the horse’s body parts are scattered throughout the object. It remained in use as an instructional model until the late twentieth century. Only a handful of similar examples are known to exist. Since 2012, the horse – located at the Central Repository for Natural Science Collections in Halle – has been designated as nationally valuable cultural property to be preserved for posterity.
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Video about the archive of Martin Luther University Halle-Wittenberg
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© Martin-Luther Universität Halle-Wittenberg, Aleksandar Turuntaš
Beschreibung
The model has a 1:1 scale in natural size.
Beteiligte, Orts- und Zeitangaben
Zeit
2021
Ort
Halle
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Papier-mâché model of horse in original size
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© Martin-Luther Universität Halle-Wittenberg, Markus Scholz
Beschreibung
The model has a 1:1 scale in natural size. It was permanently mounted on a pedestal plate with brass rollers due to its enormous weight. The model can be disassembled into 150 individual parts.
Angaben zum Objekt
Typ
Educational object
Abmessung/Umfang
Withers height 130 cm, length 190 cm
Material/Technik
papier mâché, wood
Sprache
French
Beteiligte, Orts- und Zeitangaben
Beteiligte Personen und Organisationen
Louis Thomas Jérôme Auzoux (1797-1880)
Zeit
before 1874
Ort
France
The Frenchman Louis Thomas Jérôme Auzoux (1797–1880) began making anatomical models whilst still in medical school. Professionals and laypeople alike found his work so compelling that he added zoological and botanical models to his repertoire – with great commercial success.
Auzoux’s models had a crucial advantage over other scientific models: papier-mâché. This material made them weather-resistant, affordable to produce and allowed the models to be disassembled into component pieces. The model horse was one of Auzoux’s most innovative creations. In its fully assembled form, it vividly demonstrates the animal’s muscles and blood vessels to students.
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Heart of papier-mâché model of horse (GIF visualization)
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© Martin-Luther Universität Halle-Wittenberg, Michael Stache
Beschreibung
The model has a 1:1 scale in natural size.
Angaben zum Objekt
Typ
Educational object
Material/Technik
papier mâché, wood
Sprache
French
Beteiligte, Orts- und Zeitangaben
Beteiligte Personen und Organisationen
Louis Thomas Jérôme Auzoux (1797-1880)
Zeit
before 1874
Ort
France
Its many pieces can be fitted together thanks to metal hinges, pins and fastenings. Some 3,700 paper labels with French inscriptions are affixed throughout the organs, muscles and veins. In a 2019-2020 KEK pilot project, restorators cleaned these inscriptions, making them readable once again. In addition, the Central Repository scanned all the individual components and rendered a digital 3D model.
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Silk scroll MS.or.403
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Rechteinformation
© Uwe Löscher
Angaben zum Objekt
Typ
Scroll, document
Material/Technik
Silk, textile
Beteiligte, Orts- und Zeitangaben
Zeit
18th-19th century
The silk scrolls from the holdings of the Leipzig University Library are atypical for written material: the writing surface is silk rather than paper. These Chinese legal documents from the eighteenth and nineteenth century record the imperial chancery’s appointments of civil servants. The scrolls themselves are often large-scale, and they involve complex combinations of fabric and paper. Restoring them in a 2019 KEK pilot project constituted an immense challenge: how should this mixture of media be treated?
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Collage of silk scrolls from Leipzig University Library
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© Uwe Löscher
Beschreibung
Graphic compilation of silk scrolls MS.or.403, MS.or.407 and MS.or.421
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Typ
Scroll, document
Material/Technik
Silk, textile
Beteiligte, Orts- und Zeitangaben
Zeit
18th-19th century
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Silk scroll MS.or.403
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© Uwe Löscher
Angaben zum Objekt
Typ
Scroll, document
Material/Technik
Silk, textile
Beteiligte, Orts- und Zeitangaben
Zeit
18th-19th century
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Silk scroll MS.or.403 (detail)
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Rechteinformation
© Uwe Löscher
Angaben zum Objekt
Typ
Scroll, document
Material/Technik
Silk, textile
Beteiligte, Orts- und Zeitangaben
Zeit
18th-19th century
Scroll no. 403 concludes with a broad, uninscribed strip that protects the text inside, comparable to the flyleaf of a printed book. Extremely delicate strips of gilded paper are woven into the red silk fabric.
"The restoration of this mixture of silk and paper was only possible because textile restorators cooperated extremely closely with paper restorators."
- Almuth Märker, PhD, Leipzig University Library
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Printout of first email received in Germany
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© Stadtarchiv Karlsruhe, H. Felix Gross
Angaben zum Objekt
Typ
Printout
Abmessung/Umfang
90 cm × 38 cm
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Beteiligte Personen und Organisationen
Michael Rotert
Zeit
1984
Ort
Karlsruhe
On 3 August 1984 at 10.14 am, an email with the subject line “Willkommen in CSNET” (Welcome to CSNET) arrived in Michael Rotert’s inbox. This may sound unremarkable today, but it was a milestone in communication history: the first email ever received in Germany. It is worth noting that the message has not survived digitally, but only on paper. The original digital version has been lost. Indeed, files share the same fate as texts written on paper or parchment. They are all ephemeral and can be deleted or become unreadable. Archiving of digital copies, but also "born-digital" documents, is a complex challenge.
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Printout of first email received in Germany
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© Stadtarchiv Karlsruhe, H. Felix Gross
Angaben zum Objekt
Typ
Printout
Abmessung/Umfang
90 cm × 38 cm
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Beteiligte Personen und Organisationen
Michael Rotert
Zeit
1984
Ort
Karlsruhe
Digitisation is the method of choice when it comes to making knowledge and written information accessible. For long-term storage, however, paper is still the best information medium.
Michael Rotert, former member of staff at the University of Karlsruhe IT–Computing Department
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Printout of first email received in Germany
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© Stadtarchiv Karlsruhe, H. Felix Gross
Angaben zum Objekt
Typ
Printout
Abmessung/Umfang
90 cm × 38 cm
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Beteiligte Personen und Organisationen
Michael Rotert
Zeit
1984
Ort
Karlsruhe
The email printout, which is in storage at the Karlsruhe City Archives, suffers from the effects of acidic paper and corrosive lamination. In a 2015 KEK pilot project, the lamination was removed, small tears repaired and the email was de-acidified using the water-based “Bückeburg procedure.” After restoration, it was placed in a custom-made protective case and digitised.
Digitisation is another cornerstone of preservation. It protects invaluable documents from wear and makes them accessible worldwide by the click of a mouse. It is no substitute for a preserved original, however.
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Collage of manuscript GA676 of Greek New Testament
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© Bibelmuseum Münster
Angaben zum Objekt
Typ
Manuscript
Abmessung/Umfang
Parchment
Sprache
Greek
Beteiligte, Orts- und Zeitangaben
Zeit
13th century
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Manuscript GA676 of Greek New Testament
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© Bibelmuseum Münster
Angaben zum Objekt
Typ
Manuscript
Abmessung/Umfang
Parchment
Sprache
Greek
Beteiligte, Orts- und Zeitangaben
Zeit
13th century
This object requires detective work. All the original manuscripts of the Greek New Testament, including the four canonical Gospels, are considered lost. The Bible as we know it is based on 5,500 later copies that are now scattered around the world. Using these, researchers are endeavouring to reconstruct the original text word for word. Some 155 of these copies are located in Germany, 22 of them at the Bible Museum of the University of Münster.
Today, the reconstructed editions of the New Testament are used worldwide by all major churches and educational establishments. They are also the basis of most modern Bible translations. To grant scholars access to these copies, three of them were restored in a 2018 KEK pilot project.
The parchment bearing the text of the Gospels, dating from the eleventh to thirteenth centuries, had been heavily damaged and soiled. Some of the pages had fallen prey to bacteria, and the richly illuminated miniatures in one of the three manuscripts had decomposed. The bindings were also in poor condition. Restoration was urgently needed.
After the restoration work, the manuscripts were digitised, transcribed and indexed. The enhanced digital versions can be viewed in the New Testament Virtual Manuscript Room, a cooperation between the Bible Museum and the Institute for New Testament Textual Research at the University of Münster.
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Manuscript detail with text from New Testament
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© Bibelmuseum Münster
Angaben zum Objekt
Typ
Manuscript
Abmessung/Umfang
Parchment
Sprache
Greek
Beteiligte, Orts- und Zeitangaben
Zeit
13th century
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Bremeniana (detail) from the collection Johann Philipp Cassel (1707-1783)
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© Thomas Steinle
Angaben zum Objekt
Typ
Printed matter
Teil von
Working library of the university professor Johann Philipp Cassel (1707-1783)
Material/Technik
Rag paper, leather, paper, parchment
Beteiligte, Orts- und Zeitangaben
Zeit
18th century
Ort
Bremen
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Portrait / silhouette Johann Philipp Cassel (1707-1783)
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© Thomas Steinle
Angaben zum Objekt
Typ
Printed matter
Teil von
Working library of the university professor Johann Philipp Cassel (1707-1783)
Material/Technik
Rag paper, leather, paper, parchment
Beteiligte, Orts- und Zeitangaben
Zeit
18th century
Ort
Bremen
In the spirit of the Enlightenment, the scholar Johann Philipp Cassel (1707–1783) sought to amass a broad range of knowledge. His library is correspondingly varied and contains a unique collection of New and Medieval Latin from the incunabula period to the eighteenth century, known as the Poetae collection.
Another segment of the library consists of several hundred items known as Bremensien, or Bremeniana. The term gives a hint as to their content: these works are concerned with the city and former duchy of Bremen as well as adjoining territories. Today, Cassel’s books and papers are in the safekeeping of the State and University Library Bremen.
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Dry cleaning of book from Cassel Collection (GIF visualization)
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© Thomas Steinle
Angaben zum Objekt
Typ
Printed matter
Teil von
Working library of the university professor Johann Philipp Cassel (1707-1783)
Material/Technik
Rag paper, leather, paper, parchment
Beteiligte, Orts- und Zeitangaben
Ort
Bremen
Dry cleaning
Many of the vulnerable volumes from Cassel’s collection are off limits to use. Therefore, the goal of preservation efforts as part of the BKM Special Programme, conducted in 2018 and 2019, was to protect them physically. To that end, the bodies and bindings of the books were initially "dry-cleaned". In this restorative process, soiled writing materials are mechanically cleaned using suitable cleaning brushes, latex sponges and suction devices. The dry-cleaning process was carried out manually at specially equipped secure ("clean") workbenches.
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Packaging of book from Cassel Collection (GIF visualization)
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© Thomas Steinle
Angaben zum Objekt
Typ
Printed matter
Teil von
Working library of the university professor Johann Philipp Cassel (1707-1783)
Material/Technik
Rag paper, leather, paper, parchment
Beteiligte, Orts- und Zeitangaben
Ort
Bremen
Protective packaging
Next, the volumes were transferred to tailor-made protective cases, which were sealed on all sides to protect their contents from dust and light. These can also mitigate the effects of fluctuating environmental conditions. To avoid harming the objects, the cases must be constructed from durable materials that are free of both acid and wood pulp.
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Horticultural plan "Rosenhöhe-Ballenstedt Stadtpark" (detail)
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© Stadtarchiv Dessau-Roßlau
Angaben zum Objekt
Typ
Floor plan, drawing
Teil von
Bequest of the horticultural director Hans Schmidt
Beteiligte, Orts- und Zeitangaben
Ort
Dessau-Roßlau
The landscape architect Hans Schmidt (1879–1958) moved to Dessau in 1918. Until the Second World War, he played a crucial role in shaping the city’s appearance. Schmidt’s plans, created in the tradition of the historic Garden Kingdom of Dessau-Wörlitz, further connect to questions of landscape design for our own era, especially in regions shaped by industry. The drawings at the Municipal Archive Dessau-Roßlau could be useful for implementing reconstruction measures. When new urban planning projects emerge, they give clues into the structure of the city as it evolved historically.
Because he designed municipal parks and green-space areas and sometimes taught at the university level, Schmidt also worked for institutions of the Nazi regime from 1933 onward. However, according to research, he kept his distance from the Nazi Party. After the war, he was therefore able to resume teaching in Dessau.
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Copy of horticultural plan "Rosenhöhe-Ballenstedt Stadtpark"
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© Stadtarchiv Dessau-Roßlau
Angaben zum Objekt
Typ
Floor plan, drawing
Teil von
Bequest of the horticultural director Hans Schmidt
Beteiligte, Orts- und Zeitangaben
Ort
Dessau-Roßlau
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Horticultural plan "Country house garden for Dr. Keil Gräfenheinichen"
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© Stadtarchiv Dessau-Roßlau
Angaben zum Objekt
Typ
Floor plan, drawing
Teil von
Bequest of the horticultural director Hans Schmidt
Beteiligte, Orts- und Zeitangaben
Ort
Dessau-Roßlau
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Horticultural plan "Country house garden for Dr. Keil Gräfenheinichen" (detail)
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© Stadtarchiv Dessau-Roßlau
Angaben zum Objekt
Typ
Floor plan, drawing
Teil von
Bequest of the horticultural director Hans Schmidt
Beteiligte, Orts- und Zeitangaben
Ort
Dessau-Roßlau
In many instances, the drawings and plans among Schmidt’s papers are the sole extant portrayals of important parts of the Dessau cityscape before the Second World War. Most of them portray private gardens, urban green spaces, cemeteries and the grounds of factories and other facilities.
The poor condition of the drawings, which were made on tracing paper and glassine, complicate their use. In a 2016 KEK pilot project, 100 garden plans and drawings were restored. Urban planners, researchers, municipal decision-makers and the public can now make use of the plans once again.
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Collage of historical posters
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© Kreis- und Verwaltungsarchiv Teltow-Fläming
Beschreibung
Selection of political posters; a total of 1,205 posters in the collection of the Teltow-Fläming District and Administrative Archives in Luckenwalde, Brandenburg.
Angaben zum Objekt
Typ
Poster
Material/Technik
Paper
Sprache
German
Beteiligte, Orts- und Zeitangaben
Zeit
1948 to 1961
Ort
Brandenburg
This poster is unequivocal about the threat the potato beetle poses to East German agriculture. It is one of 1,205 items in the collection of the Teltow-Fläming District and Administrative Archives, which is located in Luckenwalde, a town in Brandenburg. Through its references to rural Brandenburg between 1948 and 1961, the collection reflects cultural, social and political developments in the region from the post-war period to the early history of the German Democratic Republic (better known as East Germany). These artefacts illuminate the resumption of cultural life after the war and the introduction of a socialist lifestyle in rural areas.
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Historical poster "Potato beetle control"
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© Kreis- und Verwaltungsarchiv Teltow-Fläming
Beschreibung
Selection of political posters; a total of 1,205 posters in the collection of the Teltow-Fläming District and Administrative Archives in Luckenwalde, Brandenburg.
Angaben zum Objekt
Typ
Poster
Material/Technik
Paper
Sprache
German
Beteiligte, Orts- und Zeitangaben
Zeit
1948 to 1961
Ort
Brandenburg
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Historical poster "Pest fleas"
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© Kreis- und Verwaltungsarchiv Teltow-Fläming
Beschreibung
Selection of political posters; a total of 1,205 posters in the collection of the Teltow-Fläming District and Administrative Archives in Luckenwalde, Brandenburg.
Angaben zum Objekt
Typ
Poster
Material/Technik
Paper
Sprache
German
Beteiligte, Orts- und Zeitangaben
Zeit
1948 to 1961
Ort
Brandenburg
Three "pestilent fleas" were scourging the world and jeopardising peace: Harry S. Truman, Winston Churchill and Konrad Adenauer, all of them styled as "spoilers of humanity". During the Cold War, hyperbolic posters such as these were the ideal format for communicating memorable messages. In this case, East German citizens were being warned that Germany could meet a similar fate to Korea.
Although that danger is now past, the object still merits preservation. To ensure that these political posters retain their radiance a century from now, they were de-acidified and professionally packaged in a 2020 KEK pilot project.
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Book from Wallraf's Library
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© Unbekannt
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Teil von
Wallraf library
Material/Technik
Paper
Upon the death of polymath collector Ferdinand Franz Wallraf (1748–1824), the city of Cologne inherited his tremendous storehouse of knowledge, which included altarpieces, paintings, sculptures, slides, minerals, coins, certificates, manuscripts and much more. Wallraf’s books, around 10,000 volumes specialising in philological, historical and theological subject matter, became the cornerstone of the University and City Library of Cologne.
In the 1940s, due to the war, the library was moved to a monastery basement, where the humidity caused it significant damage. As part of the BKM Special Programme, Wallraf’s collection was secured for the long term in a multi-stage project from 2018 to 2020.
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Video about restoring Wallraf's Library
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© Universitäts- und Stadtbibliothek Köln
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Book from Wallraf's library
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© Atelier für Papierrestaurierung Dirk Ferlmann
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Teil von
Wallraf library
Material/Technik
Paper
To save the library, measures were planned, financed and carried out for 5,000 of the volumes. The collection also includes many works of cultural-historical significance, such as block books, incunabula and historical prints with sophisticated bindings or handwritten notations.
In a preliminary pilot project, 50 exemplary volumes were restored to determine typical damage profiles and develop a master plan to address the remaining holdings. In several sub-projects, the decontamination and restoration of the library is ongoing.
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Detail of book from Wallraf's library
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© Atelier für Papierrestaurierung Dirk Ferlmann
Angaben zum Objekt
Teil von
Wallraf library
Material/Technik
Paper
Moisture, mould and pressure can cause pages to stick together, forming a solid block of paper. It is often very difficult to separate stuck-together pages mechanically. This can lead to the formation of slabs and fragments or other types of severe and irreversible damage.
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Collage of exile magazines "Die Tribüne"
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© Deutsche Nationalbibliothek
Angaben zum Objekt
Typ
Document scan
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Zeit
1940
Ort
Shanghai
German-speaking exiles were anything but silent from 1933 to 1945. They made their voices heard in around 450 magazines. From cultural politics to literature to scholarship, the periodicals’ content was as varied as their physical shapes and sizes. Copies of these publications, produced around the world, comprise a unique and valuable source for research. Some 34,000 magazines of this kind are stored at the German National Library’s two locations. From 2020 to 2021, as part of the BKM Special Programme, around 13,450 of the magazines were cleaned, processed for conservation and repackaged.
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Exile magazines 1933-1945
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© Deutsche Nationalbibliothek
Beteiligte, Orts- und Zeitangaben
Zeit
1933-1945
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Packaging of exile magazine "Die Tribüne"
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© Deutsche Nationalbibliothek
Angaben zum Objekt
Typ
Document scan
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Zeit
1940
Ort
Shanghai
Informationen über die verwendeten Medien
Excerpt from exile magazine "Aufbau," issue 3 May 1940
Aus der Sammlung von
Wie darf ich das Objekt nutzen
Rechteinformation
© Deutsche Nationalbibliothek
Angaben zum Objekt
Typ
Document scan
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Zeit
1940
Ort
New York City, USA
The headlines of the exile magazine Aufbau – "Pogrom Recorded on Film", "Rothschild Bank Liquidated", "Synagogue Becomes Indoor Swimming Pool" – offered candid glimpses of the articles’ harrowing content. This German-language weekly was published in New York City starting in December 1935. The edition dated 3 May 1940 includes these and other articles about Jews’ worsening disenfranchisement. But the content extends beyond these themes as well, and includes guidance on emigration planning, information about cultural life, such as the programme of the German-Jewish Club, and language learning opportunities. The issue also features advertisements for ship passage, emigration advice and job opportunities.
During the Nazi dictatorship, many German-speakers, most of them Jewish, were forced to emigrate. Around eighteen to twenty thousand of them found refuge in Shanghai. Learning English was an important aspect of their new day-to-day lives. In Shanghai, the refugees used the magazine Die Tribüne to hone their language skills. It was published from February to May 1940 with a print run of around 1,000 copies.
In the October 1940 edition, the "Little by Little" column explained English idioms. Just a few pages later, the tailor Emanuel Kohn and the Malkischer orthopaedic workshop advertised their services. The issue also contains literary contributions by Heinrich Man ("The Power of the Word") and Anton Kuhn ("Pallenberg on Hitler").
Informationen über die verwendeten Medien
Excerpt from the exile magazine "Die Tribüne", issue 10/1940
Aus der Sammlung von
Wie darf ich das Objekt nutzen
Rechteinformation
© Deutsche Nationalbibliothek
Angaben zum Objekt
Typ
Document scan
Material/Technik
Paper
Beteiligte, Orts- und Zeitangaben
Zeit
1940
Ort
Shanghai
#10YearsKEK
Since its establishment in 2011, the Coordination Office for the Preservation of Written Cultural Heritage (KEK) has supported the preservation of these ten objects and many more in archives, libraries and museums throughout Germany. This is made possible thanks to funding from the Federal Government Commissioner for Culture and the Media and the Cultural Foundation of the German Federal States, which represents Germany’s 16 Länder on a collective basis.
In 2021, we broadened our horizons. At the international conference Preservation in Perspective, held on 23 and 24 November 2021 at the James Simon Gallery on Berlin’s Museum Island and online, we discussed the future of preservation beyond Germany’s borders together with experts from Europe and the US.
After all, #10YearsKEK is only the beginning.
Eine virtuelle Ausstellung von
Team
Timm Wille
Lilian Pithan
Timm Wille (text, design, photo editing), Ursula Hartwieg, Lilian Pithan, Sonja Wallis (text editing), Jake Schneider (translation)
Impressum
Koordinierungsstelle für die Erhaltung des schriftlichen Kulturguts (KEK)
Address:
Koordinierungsstelle für die Erhaltung des schriftlichen Kulturguts (KEK)
an der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz
Unter den Linden 8, 10117 Berlin
Stiftung Preußischer Kulturbesitz
Der Präsident
Von-der-Heydt-Str. 16-18, 10785 Berlin
Telefon: + 49 (0) 30 266 41 2889
+49 (0) 30 266 43 1454
+49 (0) 30 266 32 1456
kek [at] sbb.spk-berlin.de
Als Anbieter von DDBstudio verantwortlich im Sinne des Medienstaatsvertrags:
Stiftung Preußischer Kulturbesitz, gesetzlich vertreten durch ihren Präsidenten, handelnd für das durch Verwaltungs- und Finanzabkommen zwischen Bund und Ländern errichtete Kompetenznetzwerk
Deutsche Digitale Bibliothek
c/o Stiftung Preußischer Kulturbesitz
Von-der-Heydt-Straße 16-18
10785 Berlin
Telefon: +49 (0)30 266-41 1432, Fax: +49 (0) 30 266-31 1432
E-Mail: geschaeftsstelle@deutsche-digitale-bibliothek.de
FIZ Karlsruhe - Leibniz Institut für Informationsinfrastruktur GmbH
Hermann-von-Helmholtz-Platz 1
76344 Eggenstein-Leopoldshafen
Die Deutsche Digitale Bibliothek verlinkt die virtuelle Ausstellung auf ihrer Internetseite https://www.deutsche-digitale-bibliothek.de/content/virtuelle-ausstellungen.
Die kuratierende Einrichtung bestimmt über Thema und Inhalt der Einstellung. Die DDB nimmt nur im Ausnahmefällen Einfluss darauf, s. Nutzungsbedingungen.