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Shopping in the GDR

Purchases made in the GDR by the West Berlin Museum of Transport and Technology

Stiftung Deutsches Technikmuseum Berlin

Exhibition table of contents

01 A Museum Is Built
02 The Bohnsdorfer Windmill
03 Die Kunst und Antiquitäten GmbH
04 Visit to Mühlenbeck
05 Intermediary Antique Shop in West Berlin
06 A Car Is Purchased
07 Artificial Flowers and Artificial Flower Workshop
08 The Search for a Cash Register
09 GDR Injustices at the Museum?
10 Further Acquisitions from the GDR
11 How Does the Research Proceed?
12 We Acknowledge Our Gratitude!

>> Deutsche Fassung



01

A Museum Is Built



Postcard: Museum für Verkehr und Technik

Klaus Büscher [artist], post card, 1982, Berlin

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Klaus Büscher

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Kurzbeschreibung
The Berlin artist Klaus Büscher designed this mural for the Museum für Verkehr und Technik (Museum of Transport and Technology). It was painted on the firewall of the historic building until the new building was erected. The motif was also printed on postcards and posters for the museum.
Postkarte III.11 001843 b.jpg


Founding year 1982

The Deutsches Technik­museum was founded in 1982 as the "Museum für Verkehr und Technik" (MVT). The painting by the Berlin artist Klaus Büscher shows what the founding director Günther Gottmann and his team set out to do: build one of the largest transport and technology museums in the world.

In order to procure a large number of exhibits as quickly as possible, the museum purchased extensive collections. These included the Zündapp motorcycle collection and the collection of machines and vehicles belonging to the architect couple Ralf Schüler and Ursulina Schüler-Witte. It also accepted numerous donations from Berlin citizens.

Between 1982 and 1989, the museum was able to collect more than 10,000 objects. Around 160 of them have a special German-German history: They were purchased from the GDR. How provenance research goes about investigating these is presented in "Shopping in the GDR".



Index card chronological catalogue SDTB

Index card, 1988, Berlin

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Karteikarte neu frei.png
Index card from 1987.


Provenance Research

Provenance researchers closely examine the origin of all objects in the exhibitions and depots. The goal is to clarify instances where unjust contexts pertain. In particular, cultural property seized as a result of Nazi persecution (in short: Nazi-looted property) is to be identified and a fair and just resolution found for the victims or their descendants. The online exhibition Lithographic Stones Speak is an example of such research. 

Objects from colonial contexts as well as items expropriated in the Soviet Occupation Zone (SBZ) and the German Democratic Republic (GDR) are scrutinized as well. 

Further information about this research at the museum can be found here.

02

The Bohnsdorfer Windmill



Windmill: 1970s condition

Photo, 1974 (?), Glienicker Straße 508 (Berlin-Bohnsdorf)

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Mühlenvereinigung Berlin-Brandenburg e.V., Historische Mühle von Sanssouci

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Mühle Bohnsdorf Rechte 2.png


The first purchase from the GDR

One of the last post windmills in Berlin can be found in our Museum Park. Built in Köpenick in 1820, it was moved to Bohnsdorf in 1874, where it was in operation until 1938. By the beginning of the 1980s it was on the verge of complete collapse, but two mill specialists wanted to save it. Such an undertaking, however, was fraught with difficulties: Bohnsdorf was in the GDR, but the windmill was to be restored in West Berlin, in the newly founded MVT. The specialists thus contacted the owners, who then submitted an application to the East Berlin magistrate to export the windmill. It is therefore safe to assume that they sold voluntarily; additionally, there is the fact that part of the purchase price was paid out by the MVT to a West Berlin relative of the owners without the knowledge of the GDR authorities.



Windmill: Photos of the disassembly

Photo, 1983, Berlin-Bohnsdorf

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Kurzbeschreibung
Photos of the dismantling of the Bohnsdorf mill in December 1983 from the archive of Dr. Heinrich Herzberg.
Mühle Abbau Kran.png


The disassembly

In December 1983, the dismantling work was done with the participation of the local residents, who were not enthusiastic about the removal of "their" windmill. The Office of Historical Monuments also spoke out in favor of retaining it, but was unable to prevail against the economic interests of the GDR.

The job of handling the sale was given to the Kunst und Antiquitäten GmbH (KuA). This GDR company oversaw all the business between East and West until reunification in 1989.



The windmill in the museum park

Clemens Kirchner (photographer)
Stiftung Deutsches Technikmuseum Berlin, Photo, 2023

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20130825-202.jpg


In the Museum Park

The disassembly of the post windmill from Bohnsdorf took until 1991 to complete. The MVT's first purchase from the GDR shows what was important to each side: The KuA was prepared to ignore many concerns in order to obtain currency from the West. And the MVT wanted to save technical cultural assets and outstanding objects from possible deterioration and acquire them for its collection.

03

The "Kunst und Antiquitäten GmbH"



Business card of the KuA

Kunst und Antiquitäten GmbH, Business card, 1980ies, East Berlin

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KuA Visiten.png


The KuA system

The sale of the windmill was handled through the Kunst und Antiquitäten GmbH (KuA). It was part of the GDR working group titled "Kommerzielle Koordinierung" (KoKo), one of the main responsibilities of which was generating foreign currency. Indeed, the GDR had a pressing need for income in Western currencies such as dollars, Swiss francs and German marks in order to be able to purchase goods in "capitalist foreign countries" that it could not produce itself.

The KuA obtained its sales goods in various ways: On the one hand, it made purchases from private individuals and dealers. On the other hand, it sold the property of so-called Republic fugitives and private collectors who had been robbed through sham tax proceedings. Even museums were sometimes forced to involuntarily give up holdings.



Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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Karte.jpg


Central warehouse in Mühlenbeck

The MVT was located in the West Berlin district Kreuzberg. It is still housed there under the name Deutsches Technikmuseum. The KuA's central warehouse was located north of Berlin in the town of Mühlen­beck. It was only about 23 km away from the museum, but was located on the other side of the border, in the GDR.

Customers from the West were able to buy from there directly. An old advertising brochure shows both the goods for sale and the route to Mühlenbeck.



Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r1.jpg
Advertising brochure from the Kunst und Antiquitäten GmbH targeting customers from the West.


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r2.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r3.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r4.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r5.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r6.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r7.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_r8.jpg


Advertising brochure of the Kunst und Antiquitäten GmbH

Kunst und Antiquitäten GmbH (publisher), booklet, 1980s, Ost-Berlin

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SSMB-HA VI-8,05_v.jpg

04

Visit to Mühlenbeck



Extract from a letter from the MVT to the KuA from 13th June 1986

Kunst und Antiquitäten GmbH
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, letter, 13.06.1986, Berlin

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Schreiben Gottmann an Kaeding 13.06.1986.png


Collaboration

MVT employees not only visited the sales rooms in Mühlenbeck, but also inspected the rest of the inventory. Photos taken of the saleable goods seen during those visits have been retained in our archives. Today these are use to help identify objects in the museum's depot.

In 1986, the MVT proposed to KuA that they visit the museum themselves so that they could get a clearer sense of which objects were still needed by the museum. Whether this reciprocal visit ever took place is not known.



Photos from Mühlenbeck

Museum für Verkehr und Technik
Kunst und Antiquitäten GmbH , Photos, 1985-1989, central warehouse of the KuA in Mühlenbeck

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Kurzbeschreibung
Photos taken by employees of the Museumy from the KuA central warehouse in Mühlenbeck.
Fotos M 1 b.png
MVT employees took photos at the central warehouse in Mühlenbeck to facilitate the process of selecting objects.


Photos from Mühlenbeck

Museum für Verkehr und Technik
Kunst und Antiquitäten GmbH , Photos, 1985-1989, central warehouse of the KuA in Mühlenbeck

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Kurzbeschreibung
Photos taken by employees of the Museumy from the KuA central warehouse in Mühlenbeck.
Fotos M 2.png


Photos from Mühlenbeck

Museum für Verkehr und Technik
Kunst und Antiquitäten GmbH , Photos, 1985-1989, central warehouse of the KuA in Mühlenbeck

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Kurzbeschreibung
Photos taken by employees of the Museumy from the KuA central warehouse in Mühlenbeck.
Fotos M 3.png


Photos from Mühlenbeck

Museum für Verkehr und Technik
Kunst und Antiquitäten GmbH , Photos, 1985-1989, central warehouse of the KuA in Mühlenbeck

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Kurzbeschreibung
Photos taken by employees of the Museumy from the KuA central warehouse in Mühlenbeck.
Fotos M 4.png

05

Intermediary Antik-Shop in West Berlin



Museum director Günther Gottmann and Wolfgang Böttger at an event in the MVT

Ingeborg Lommatzsch (Photographer)
Wolfgang Böttger
Günther Gottmann
Landesarchiv Berlin, photo, 27.01.1990, Berlin

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Landesarchiv Berlin, F Rep. 290 Nr. 0312905 / Photographer: Ingeborg Lommatzsch.

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F_Rep_290_0312905.jpg
On January 27, 1990, Wolfgang Böttger was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany at the MVT.


The Antik-Shop in Berlin´s KaDeWe

What the MVT was looking for was in the GDR: Functioning and thus demonstrable technology of the 19th and early 20th century. However, as an institution from the state of (West) Berlin, the MVT did not have a purchasing license for the GDR.

This is where the West Berlin businessman Wolfgang Böttger came into play. He was an honorary consul of Haiti and owner of numerous companies. Among other things, he sold the products "Algemarin" shower gel and the "Hormocenta" cream. He had supported the museum through donations and gifts since its inception and eventually became its most important patron in the 1980s.

Böttger's support made it possible for the MVT to benefit from KuA's array of goods because he had great contacts in the GDR and regularly made purchases there. He sold the goods he bought in the GDR in his "Antik-Shop" (Antik-Shop Antiquitäten Galerie GmbH & Co. KG) located in a prime location in the Kaufhaus des Westens (KaDeWe). The majority of the objects purchased in the GDR in the 1980s were obtained by the MVT via Böttger's Antik-Shop, which served as an intermediary.


Photo Kurfürstendamm: State Archives of Baden-Württemberg, Willy Pragher

06

A Car Is Purchased



List of the cars the museum was interested in (1986)

Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin , document, 1986, Berlin

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Suchliste Autos 1986 b.png


Wartburg Sport Coupe

The document displayed here shows which vehicles were of interest for the Road Transport Collection in 1986. In the 1980s, the museum staff's efforts were primarily focused on building up a comprehensive collection. They developed concepts for the future exhibitions and then searched for the corresponding objects.

Using the example of a Wartburg Sport Coupe, the following pages show how the purchases were handled between the MVT, the Antik-Shop and the KuA.



Internal note concerning cars offered by the KuA (1988)

Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin , document, 1988, Berlin

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Vermerk zum Angebot der KuA Wartburg.png


The KuA offers items for sale

In 1988, the KuA offered various objects to the museum, including a Wartburg Sport Coupe. As far as vehicles were concerned, an employee of the museum noted on February 2, 1988 that "KuA only enters into negotiations with owners if we show a fundamental interest in a vehicle." The museum's interest was confirmed in writing on the document.

In this instance, the vehicles on offer were private vehicles whose owners were willing to sell them.



Advertising brochure of the VEB Automobilwerk Eisenach

VEB Automobilwerk Eisenach [producer]
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, Advertising brochure, 1960ies

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Wartburg Prospekt_2.jpg


VEB Automobilwerk Eisenach

VEB Automobilwerke Eisenach (AWE) was created in 1952/53 through the nationalization of various companies, including the former Fahrzeugfabrik Eisenach (founded in 1896).

AWE launched the Wartburg 311 in 1955. The Wartburg Sport or Wartburg 313/1, which was produced from 1957 to 1960 and purchased by MVT in 1988, was also based on this model.



Photographs of the Wartburg Sport Coupe in Mühlenbeck

Kunst und Antiquitäten GmbH (KuA)
Museum für Verkehr und Technik [photographs]
Stiftung Deutsches Technikmuseum Berlin, photo, 1988, Mühlenbeck

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Polaroids Wartburg.jpg


Perusal in Mühlenbeck

Before the purchase, MVT employees inspected the Wartburg Sport Coupe at the KuA sales warehouse in Mühlenbeck. These Polaroid photos were taken at that time.



Purchase offer KuA concerning the Wartburg Sport Coupe 1988

Kunst und Antiquitäten GmbH
Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, document, 1988, Berlin

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Spezifikation Wartburg mit Markierung.png


KuA to the Antik Shop

The execution of sales to the West included the KuA documents referred to as a "specification". These have been retained both in the files of the MVT and in the Federal Archives in Berlin.

In the "specification" for the Wartburg Sport Coupe, the buyer is not MVT, but instead Wolfgang Böttger's Antik-Shop. He purchased the vehicle from KuA in 1988 for 18,500 UA. In 1985, Böttger entered into a global contract for goods worth DM 500,000 to be purchased annually, making him one of KuA's major customers. Invoicing was carried out in so-called units of account/value units (UA), which were settled at 1:1 against the German mark in the GDR's foreign trade.



Purchase offer Antik-Shop for the Wartburg Sport Coupe 1988

Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, document, 1988, Berlin

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Angebot KuA Wartburg formal.jpg


Antik Shop to the MVT

The Antik-Shop sold the Wartburg Sport Coupe directly to the MVT for DM 20,345. The Antik-Shop thus took on the role of a middleman. This meant that the MVT, which could not buy directly from the GDR itself, was able to choose goods from the KuA and order them via the Antik-Shop.



List of movable assets of the MVT (1988)

Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, document, 1988, Berlin

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Liste MVT bewegliches Vermögen 1988.png


Documentation

The purchase of the Wartburg Sport Coupe is verified by a number of documents. There are records in various places in the Deutsches Technikmuseum (the former MVT): in the object file, in the records of purchases from the GDR and in the budget documents, such as seen here in the list of purchases from 1988.

Correspondingly, the record of sale is also found in KuA documents. These records are kept in the Federal Archives in Berlin under the reference number DL 210 (Commercial Coordination Companies). Signatur DL 210.

It is not, however, clear from the documents just who owned the vehicle in the GDR and sold it to KuA.



Photograph of the Wartburg Sport Coupe

VEB Automobile Eisenach [producer of the car]
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin [photograph], Photo, 1957-1960 (object)
2020ies (photograph), Berlin

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Wartburg Sport Coupe in the MVT

After the sale was completed, the vehicle was delivered to the MVT depot. In the course of taking a new inventory a few years ago, the car was photographed again from all sides and can therefore be seen here on the rotating platform in the depot's recording room.

07

Artificial Flowers and Artificial Flower Workshop



irons for the artificial flowers production

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Kurzbeschreibung
irons for the artificial flowers production

1988/89 Purchases

MVT's last purchases from the GDR via the Antik-Shop include a complete artificial flower workshop and a large number of artificial flowers.

In 1988, the Antik-Shop came into possession of the artificial flower workshop through a so-called automobile swap. The KuA had proposed a trade: the flower workshop along with a small van built in 1933 and two collections of historical company documents in exchange for a used 1983/84 VW Golf. The proposal was accepted by the Antik-Shop. Little more is known about the background of the deal. Used vehicles from the West were scarce in the GDR and therefore highly coveted. The MVT was involved in any number of such swaps through purchases from the Antik-Shop.

Just a few months later, KuA made another offer to the museum involving more than 20 crates of artificial flowers. These, too, were purchased through the Antik-Shop. The colorful collection includes artificial flower bouquets, blossoms, leaves and branches, glass and plastic fruits, wreaths and patterned bows.



Excerpt from the 1934 Sebnitz directory

directory, 1934, Sebnitz

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Artificial flowers from Sebnitz

According to the object files, the workshop had been located in Sebnitz in Saxony, which was the center of German artificial flower production for almost 150 years.

By 1900, there were already over 200 companies in the area consisting of mainly small and family businesses and employing up to 15,000 people. Sebnitz artificial flowers went all around the world; for example, by the end of the 19th century, they were already being exported beyond Europe to North and Central America and as far away as China.

The workshop on display in the Deutsches Technik­museum dates from the period between 1930 to 1950. It thus dates from a time when the industry was confronted by various social and economic crises. Peoples' fashion tastes had increasingly turned away from floral decorative elements. Moreover, inflation and the global economic crisis caused demand for artificial flowers to plummet until the Second World War finally brought production to a standstill.

 



artificial flowers with labels

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Kurzbeschreibung
artificial flowers with labels

Labels as provenance markings

In provenance research, one tries to establish an object's origin through source and literature research as well as by examining the objects themselves.

It is not known where the numerous artificial flowers came from and also whether there is even any connection between them and the artificial flower workshop that had also been purchased. A stylistic analysis suggests that the flowers date from the first half of the 20th century. Moreover, some of the artificial flowers have labels on which, in addition to product numbers or names, the manufacturers or sellers are listed.

Numerous labels indicate a French origin; they bear the names of "Judith Barbier", the "Galeries Lafayette" or "Louvre Paris".
But most flowers have the label “made in Germany”, many specifically from “R. E. Flowers”. 



Richard Etscher's floral pattern card

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Kurzbeschreibung
Richard Etscher's floral pattern card

Richard Etscher Flower Factory

In addition to labels from the company "R. E. Flowers", the inventory also contained an envelope that was addressed to Richard Etscher and a floral pattern card with the following stamp: "Richard Etscher Blumenfabrik Sebnitz i. Sa.". Since the initials on the label are also Richard Etscher's, it makes sense to continue following this lead.

Archive research has shown that the flower factory was founded in Sebnitz in 1901 by Richard Etscher. The company specialized in the production of tiny flowers, such as forget-me-nots, which adorned hats and dresses and were also exported abroad.

However, with the National Socialist “seizure of power,” the flower factory’s production was realigned. As early as 1933, the company primarily supplied flowers to the "Winter Relief Organization of the German People", before switching completely to the production of military equipment such as camouflage nets in 1939.

Military equipment production was big business and the Richard Etscher company was able to expand its production to a number of additional facilities. When “acquiring” some of these supplemental companies, the Etscher flower factory benefited from the persecution of other flower manufacturers.



Envelope adressed to Richard Etscher

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Kurzbeschreibung
Envelope adressed to Richard Etscher
KB5 - Kuvert adressiert an die Firma Richard Etscher.jpg
An envelope that was probably with the artificial flowers and is addressed to the company Richard Etscher in Sebnitz.


The "Lindt House" at Prague's Wenceslas Square 4, architect's drawing of the new building by Ludvik Kysela, around 1926

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Kurzbeschreibung
The "Lindt House" at Prague's Wenceslas Square 4, architect's drawing of the new building by Ludvik Kysela, around 1926

A. Lindt Flower Factory

In the early 1940s, the Richard Etscher company took over the land, buildings and shares of the Prague company A. Lindt AG in order to use it to produce materials important to the war effort.

The company, founded in 1894 by August Lindt, specialized in the production of artificial flowers and feathers and sold them successfully at home and abroad. The flourishing business made the Lindts a wealthy and well-known Prague business family.

But in the course of the National Socialist protectorate rule from 1939 onwards, people in what was then the Czech Republic were persecuted and murdered because of their Jewish origins. The Lindts were a Jewish family. Pavla, the daughter of the company founder, ran the company until its "Aryanization" in 1941/42. She and her two sons Thomas and Heinrich were eventually deported, initially to the Theresienstadt ghetto but the boys were ultimately sent to the Auschwitz concentration camp. All three of them survived and returned to Prague after the war ended. The former family business was then nationalized after 1945.



irons for the artificial flowers production

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Kurzbeschreibung
irons for the artificial flowers production

Artificial flowers in the GDR

During the Second World War, all related companies in the artificial flower capital Sebnitz had to adjust their production in the direction of military equipment until, finally, flower production was completely stopped in the wake of the "total war" effort. But in the post-war years, flowers returned and by the beginning of the 1950s there were almost 100 flower factories in Sebnitz again. The Richard Etscher company was producing artificial flowers again as well.

However, the Sebnitz flower factories began being nationalized as early as the Soviet occupation. In 1953, the state-owned company (VEB) Kunstblume was founded, whereby all the private companies were aggregated until they were ultimately nationalized in 1971. The Richard Etscher company became an affiliate of VEB Textilflor in 1972, which was later transferred to VEB Kunstblume in 1975.

VEB Kunstblume Sebnitz shaped the region as an employer and in 1975 had more than 5,000 employees. The flowers produced were exported to 35 countries and their sale was used to raise foreign currency for the GDR. After the fall of the Wall, the former VEB Kunstblume continued to exist as Kunstblumen- und Festartikel GmbH until 1991. Today there are very few flower makers left in Saxony. Asia has been producing most of the world's artificial flowers for decades.



grass blossoms made in france

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Kurzbeschreibung
grass blossoms made in france

Artificial flowers - from where and what next?

Establishing the origin of our artificial flower workshop and our artificial flowers represents a particular challenge for provenance research as it may touch upon different contexts of injustice.

In provenance research, purchases of machines and tools from the GDR are always examined for a possible connection to the nationalization of a company. In addition, objects that were manufactured before 1945 are routinely checked to see if they had ever been confiscated due to Nazi persecution. In the cases of the workshop in Sebnitz and the artificial flowers there are plenty of indications that further research in both these directions is warranted.

08

The Search for a Cash Register



Cash registers in the museum depot

Stiftung Deutsches Technikmuseum Berlin [photograph], photo, 2024, Berlin

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Kassenregal 2.JPG


Looking for clues

During the early enlargement phase of the MVT, not every item was fully documented. Furthermore, some of the inventory labels that were affixed to objects at the time have become detached over the years. Using the example of a "cash register" - which is the vague description in the KuA specification list - can demonstrate how one goes about distinguishing the sought after cash register from among the dozens that are in the depot.



KuA specification for cash register

Kunst und Antiquitäten GmbH
Museum für Verkehr und Technik
Bundesarchiv Berlin, document, 26.7.1989

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Spezifikation Kasse_DL 210 1776.png


Purchase of a "cash register"

There is a KuA specification list in the Federal Archives in Berlin that has not been retained in the MVT. It details the sale of an unspecified “cash register” to the MVT.

Two letter-number combinations are entered in the specification list's comments field:
"ZL 88 562" and "HOR 803 36".



Cash register National Krupp

National Krupp [producer]
Kunst und Antiquitäten GmbH (KuA)
Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
Museum für Verkehr und Technik
Stiftung deutsches Technikmuseum Berlin, cash register, 1920ies, Berlin

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Kasse frei.png


Cash Register from the National Krupp company

The corresponding cash register in the MVT depot could be identified by means of these letter-number combinations. It is a cash register from the National Krupp company from the 1930s, which the MVT purchased from the Antik-Shop in 1989.



Cash register National Krupp

National Krupp [producer]
Kunst und Antiquitäten GmbH (KuA)
Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
Museum für Verkehr und Technik
Stiftung deutsches Technikmuseum Berlin, cash register, 1920ies, Berlin

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Kasse Etiketten montiert.png


Stickers

These letter-number combinations are referred to as “sticker numbers” because the KuA marked its merchandise with the corresponding stickers. Four stickers have survived on the MVT cash register:

  • A green sticker "ZL 88-562", which stands for the KuA central warehouse in Mühlenbeck.
  • A white sticker "89/1" certainly refers to the year 1989; the marking at the top right cannot yet be interpreted.
  • A yellow sticker "Mus.f.T.u.V. 3". The KuA almost always referred to the Museum of Transport and Technology as the Museum of Technology and Transport. The cash register was the third item in the specification list.
  • A red sticker "HOR 803 36", which could refer to the Rostock Antiques-Used Goods trading organization.


Locomotive sign with label numbers of the KuA

Reichsbahn (DDR)
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, locomotive sign, around 1968

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1-1985-0040-005-001 Frei.png
A locomotive number plate from the German Reichsbahn with stickers from the KuA.


Deciphering

The sticker numbers contain information about an object's origin, but often they only refer to the central warehouse ("ZL"), an automobile exchange transaction ("AT") or the purchasing agent such as a trade organization ("HO"). However, they only contain information about the original owners of the objects in exceptional cases. In addition, the meaning of the letters probably changed several times over the years or they were used, for example, differently in the various KuA warehouses.

In 2023, the Federal Archives compiled information on the breakdown of the numbers Hinweise zur Aufschlüsselung der Nummern. In the Deutsches Technikmuseum, 50 sticker numbers have so far been identified in specification lists or on the objects themselves.

09

GDR Injustices at the Museum?



cotton machine

G. Hilscher Wirkmaschinenfabirk, Chemnitz [Manufacturer], Textile machinery, 1925 [year of production], Chemnitz [production]
Karl-Marx-Stadt/Chemnitz [use]

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1-1986-1190-000-000.JPG


A textile machine

In the museum's depot there is a 12-meter long "cotton machine" that was used to make gloves. In 1986 the MVT purchased it from the KuA using, as usual, the Antik-Shop as an intermediary.

The textile machine, built in 1925, was taken out of service by VEB Polar in Karl-Marx-Stadt (now Chemnitz) after decades of use. MVT employees dismantled it on site and transported it to West Berlin.

The museum needed assistance in order to reconstruct such a complicated machine back into its functional state. They finally managed to find the former owner, who was able to help with the repairs. As a pensioner, he had moved from the GDR to West Berlin in 1984.



cotton machine

G. Hilscher Wirkmaschinenfabirk, Chemnitz [Manufacturer], Textile machinery, 1925 [year of production], Chemnitz [production]
Karl-Marx-Stadt/Chemnitz [use]

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cotton vor Ort zuschnitt.jpg
The machine shortly before its dismantling.


Nationalized company

The former owner was also able to provide the MVT with original documents, including the manufacturer's invoice from 1925. These were evidence of continuous possession during the Nazi era, which is why a National Socialist expropriation can be ruled out.

At the end of 1987, he unexpectedly approached the museum with a request: When his company was nationalized in 1972, the cotton machine had been taken away from him without adequate compensation. He demanded a "mitigation payment" from MVT for the loss. He had come up with this idea through reading press reports about an on-going court case. That case was centered around a valuable grandfather clock.



Excerpts from a copy of the newspaper articel by Lutz-Peter Naumann: „DDR organisiert Kunstraub zur Devisenbeschaffung im Westen“, Berliner Morgenpost, 1.11.1987

Berliner Morgenpost, newspaper article (copy), 1987, Berlin

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Kurzbeschreibung
Copy of a newspaper article with underlining by employees of the museum
Morgenpost Uhr.jpg
The disputed grandfather clock in a newspaper article.


The lawsuit

The restorer and art collector Werner Schwarz was charged with alleged tax offenses in the GDR in 1982 and sentenced to several years in prison. The tax office seized his art collection and handed it over to KuA for sale. The Federal Republic paid for Schwarz's release at the end of 1984. His wife subsequently discovered a grandfather clock from the family's seized property in Wolfgang Böttger's Antik-Shop in KaDeWe. Werner Schwarz decided to sue for restitution before the Berlin Court of Appeal in 1986 and was successful. On September 29, 1987, an attempted appeal was dismissed and thus the collector had won, at least for the time being. The proceedings were reported in numerous newspaper articles.

The ruling jeopardized KuA's business model. Böttger appealed to the Federal Court of Justice and was joined in the appeal by the GDR's Commercial Coordination department (KoKo), to which the KuA belonged. The KoKo contributed to the legal costs and strengthened Böttger's team with additional lawyers.

On September 22, 1988, the Federal Court of Justice did indeed overturn the judgment of the Court of Appeal and dismissed the action. The Federal Constitutional Court confirmed the judgment on January 9, 1991. 



Excerpts from a copy of the newspaper articel by Lutz-Peter Naumann: „DDR organisiert Kunstraub zur Devisenbeschaffung im Westen“, Berliner Morgenpost, 1.11.1987

Berliner Morgenpost, newspaper article (copy), 1987, Berlin

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Kurzbeschreibung
Copy of a newspaper article with underlining by employees of the museum
Morgenpost Auszug.jpg
Excerpt from the Berliner Morgenpost of November 1, 1987.


A campaign against the GDR?

However, when the owner of the cotton machine made his demand, this outcome was not yet foreseeable. The fact that another case had arisen at the same time as the Schwarz v. Antik-Shop trial worried the GDR authorities. It was even suspected that there was a targeted campaign by former GDR citizens to disrupt the hitherto smooth German-German business dealings. In December, the head of the KuA, Joachim Farken, wrote to his superiors that the MVT was no longer considering purchasing goods in the GDR.

Nevertheless, the MVT did acquire around 60 further objects and groups of objects in seven purchases - including the previously presented artificial flower workshop.



Letter from Günther Gottmann to the Senate administration culture from 9th of May 1988

Günther Gottmann
Senate administration culture, letter, 9.5.1988, Berlin

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Gottmann Senat 1988 1.png


Reactions

The director of the MVT, Günther Gottmann, wrote a letter to the Senate to report on how the machine was acquired and the uncertainties that had now arisen as a result of the process surrounding the grandfather clock. Due to a lack of foreign currency, the KuA has "intensified the sale of cultural assets, including duplicates from museums, which benefits the MVT, the Historical Museum and other museums". The complete document can be downloaded here hier .

In consultations between MVT and the Berlin Senate, which was in charge of supervision, and including presumably the KuA, an agreement was reached on how to proceed. The lead senator informed the former owner of the cotton machine that a final decision would have to wait for the outcome of the grandfather clock trial.

The question of ownership was only cleared up after 1990 with the advent of the Property Act. The former owner of the cotton machine was able to buy back his previously nationalized (1972) company from the Treuhand state holding company. He received a discount on the purchase price based on the amount that MVT had paid to the Antik-Shop, which in turn had been passed on to the KuA.

10

Further Acquisitions from the GDR



Model of the ARKONA rescue cruiser (1:25)

Private manufacturer
VEB Antikhandel Pirna
Kunst und Antiquitäten GmbH
Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin
, Ship model, around 1980, GDR

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Arkona.png


"Arkona" ship model

Most of the acquisitions from the GDR are above suspicion with regard to Nazi expropriation or GDR injustice. This model of the ARKONA rescue cruiser is a typical example. The model maker sold it to VEB Antikhandel Pirna in 1988, which was one of the KuA's buyers. The MVT acquired it via the Antik-Shop in the same year.



Electrical locomotive E 44 131 of the German Reichsbahn

Henschel & Sohn [producer]
1943-1946: Deutsche Reichsbahn
1946-1952: Sowjetische Eisenbahnen
1952-1988: Deutsche Reichsbahn, DDR
1988: Kunst und Antiquitäten GmbH
1988: Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
1988: Museum für Verkehr und Technik
1988: Stiftung Deutsches Technikmuseum Berlin, locomotive, 1943 (production), Kassel, Berlin (production)

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Lokomotive.png


The Reichsbahn locomotive

The GDR's Reichsbahn still had old locomotives and railcars that had long since been scrapped by the Bundesbahn. The KuA readily assisted in the search for specific types and sent inquiries to the individual Reichsbahn directorates.

This electric passenger locomotive E 44 131 from the Deutsche Reichsbahn was brought to the MVT in 1988 via the KuA and the Antik-Shop. The properties taken over from the Reichsbahn are generally unobjectionable in terms of Nazi expropriation or GDR injustice: They had no other previous owners and are also well documented.



Kettenkrad half-track motorcycle HK 101 of the NSU Motorenwerke AG

NSU-Motorenwerke [producer]
Wehrmacht
Kfz.-Instandsetzungswerk Berlin-Friedrichshain
Armeemuseum Dresden
Kunst und Antiquitäten GmbH
Antik-Shop Antiquitäten Galerie GmbH & Co. Handels-KG
Museum für Verkehr und Technik
Stiftung Deutsches Technikmuseum Berlin, Kettenkrad, 1940-1945, Neckarsulm (production)

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Kettenkrad.png


Kettenkrad half-track motorcycle

Wolfgang Böttger donated this World War II era Kettenkrad to the MVT in 1997. He had acquired it from the KuA in 1988. Between 1971 and 1988, the Kettenkrad was part of the collection of the Army Museum of the GDR in Dresden. The museum had given it to the KuA in 1988 in exchange for other objects. 

This acquisition is an example of the fact that objects added to the collection after the fall of the Berlin Wall in 1989 must also be examined in terms of their previous history.

11

How Does the Research Proceed?

Existing collection and new acquisitions

To date, around 160 objects and collections purchased in the GDR have been identified in the existing collection of the Deutsches Technikmuseum. Information on the previous owners could only be found for around 30 of them, including the Reichsbahn or nationalized companies. The difficulties in identifying previous owners on the basis of the specification numbers used by the KuA have been covered in the exhibition.

However, the objects acquired after 1990 could also have originally come from sales by KuA. In the case of the Kettenkrad, its origin could be established through files in the Federal Archives. In many cases, however, this will be impossible or very difficult due to a lack of documentation. Today, the provenance research team examines all planned acquisitions with regard to Nazi looted property, colonial contexts and Soviet/GDR injustice before the objects are transferred to the collection.

The existing objects in the collection will continue to be systematically examined for these contexts of injustice, and the results will be documented and published in a transparent manner. In the case of Nazi-looted property, the Deutsches Technikmuseum will seek fair and just accommodation with the injured parties and their heirs in accordance with the Washington Principles.

There are as yet no comparable guidelines for dealing with the injustices of the Soviet Occupation Zone/GDR.





We Acknowledge Our Gratitude!

Our special thanks go to our former colleague Elisabeth Weber (now at the Jewish Museum Berlin), who worked intensively on acquisitions from the GDR at the Deutsches Technik­museum.

We would also like to thank our colleagues from the archive, library, collection management and depot for their support.

Many thanks also to our colleagues from the Bundesarchiv Berlin, the Landesarchiv Berlin and the archive of the Stiftung Stadtmuseum Berlin.

We would also like to thank all those who have supported and advised us in our research, not all of whom can be listed here by name.

Thanks also go to Barry Fay, our translator, for his fine collaborative work.



Eine virtuelle Ausstellung von

Team

Katja Boegner, Nina Kubowitsch and Peter Prölß, Provenance research at the German Museum of Technology (Deutsches Technikmuseum)

Erstellt mit :
DDB Studio
Ein Service von:
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Diese Ausstellung wurde am 09.04.2024 veröffentlicht.



Impressum

Die virtuelle Ausstellung Shopping in the GDR wird veröffentlicht von:

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Inhaltlich verantwortlich:

Joachim Breuninger

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Rechtliche Hinweise:
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